Why Jewelry Is Such An Important Part Of Indian Culture!
Traditional Indian Jewellery has a recognition
of its own. Jewellery, in general, enhances one’s beauty. In Indian culture,
the jewellery that women wear, signifies their status, wealth, and status, in
the society.
Jewelry
helps in enhancing one’s beauty. It also symbolizes wealth, power, and status.
For some, jewelry is a form of art for self and creative expression. Then,
there are some people who use jewelry as part of their tradition and culture. Though they may differ in terms of importance and
relevance, they all play significant roles.
Significance of Jewelries in Indian Culture:
Indians give importance to the nuances of bridal jewelries. The heavier the nuances of these jewelries are, the bigger
role they play in the legacy of the family and the jewelry itself. So before
giving the jewelries to the bride, the family often makes sure that they are
heavy with more distinct designs.
Aside from bridal jewelries worn by the bride,
there are also religious jewelries. These are often connected to the Gods and
Goddesses in Hinduism. Wearing these jewelries signifies that you are asking
for protection from these divine beings. It also a way of asking blessing.
Compared to Western weddings, Indian
traditional weddings are often colourful and lavish. The bride wears several
ornaments with significant presentations. The bride wears these jewelleries
from head to foot. Necklaces signify protection and prosperity. Nose ornaments
often signify that the bride is of marrying age. Ear ornaments symbolize the
bride’s mental and physical health.
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VENI/JEWELED
BRAID, PAASA, MAANGTIKA:
The traditional Veni braid is very often seen in parts of Southern Indian, worn
by brides and girls who attain puberty The Passa is a jewellery worn by Muslim
brides, on the left side of the head as a head gear The maangtika is a
traditional headgear worn often by South Indian women, with traditional attires
as a part of their hair accessories.
CHANDBALIS, JHUMKAS, KANVELIS, NATH: Earrings are enamours of your ears. Traditionally heavy and complex work earrings add another dimension to one’s beauty. Chandbalis get their name for representing the foremost beautiful heavenly stars the moon’. Earrings within the shape of the moon add an oracle ambience to your look. Jhumkas are as ancient as our heritage, the Jhoomar-chandelier like design is ethical & respects your neck impeccably. Kanvelis are small, delicate pearl earrings worn on the helix of your ears, go flawlessly with the old saying‘ expose as beaucoup jewels as you can’. Ultimately the nath-jewellery worn on the nose, this lights up your face like no other jewel can. Traditionally made from pearls and a couple of ruby stones, the variability available now’s truckloads starting from diamonds to kundan.
RANI HAAR, GULBANDH, SATLADA, KAMARBANDH: Chokers have been a symbol of majesty since the days of rajas maharajas in India. Men wore chokers with the maximum amount of vigour as women, if lower. Rani Haar because the name itself suggests, perhaps a long choker fits the queen that you are! Gulbandh sits immaculately below the collarbone the right flattering length, it’s called a queen choker too, a standard choker worn by the likes of the queen in Rajasthan.
Satlada-seven
chokers in one. Satlada is for the evenings once you want to travel all out
& be the rockstar. Brace a satlada together with your blend gown to up your
cheek quotient.
Kamarbandh
accentuates your midriff & was worn traditionally to offer a sandglass
figure without the pain of wearing a corset. Kamarbandha provides a twist to
plain anarkali dresses, they are paired with dresses, sarees & gowns too!
BANGLES, BRACELETS, HAATHPHOOL: Meenakari work bangles look exquisite and are authentically fashionable amongst the youngish fashionistas. Adorning hands with mehendi & bangles has been a trend since times antique in India. Haath Phool rings attached to strings which form a spider web- analogous design are delicate hand jewellery which come across dainty and elegant. However, calcutta tode ( elephant kada) & kada bangles, generally, If you would like to travel bravely.
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JEWELLERY
FOR YOUR FEET: Paizeb, This
unusual Paizeb is from Hyderabad. because the name implies, it’s an
embellishment for the bottoms. Loose chain links, set in gold kundan design
with uncut diamonds, and stone drops rather than ghungroos, assure it lies flat
on the bottom over your ankles. Another celebrated bottom jewellery is gray
ghungroo payals and toe ring payals which are like hathphool for your bases.
PEARL JEWELLERY: Pearls are always applicable. Pearl jewellery may be a sign of a woman. Traditional pearl jewellery was a prized possession of Nawabs. Hyderabad is the center of dealing pearls, and historically pearls are preferred as a gem as they represent the moon & purity too! Pearl jewellery holds a prized place in everyone’s jewel box.
TEMPLE JEWELLERY: Adornments with motifs of Gods, Goddesses, flowers, birds are temple jewellery. The name springs from the particular use of the jewellery. it had been used to decorate the Gods & Goddesses. The royal families made some jewellery pieces for themselves. With time, the art has surpassed all boundaries & was employed by the common folk in plentitude. Indeed here and now, the auspicious & godly jewellery is a pivotal part of the jewellery to tend to a South Indian bridegroom on her day as blessings from the Gods.
Conclusion:
Overall, jewelry plays an important role in
culture and religion. Despite the changes of its composition and design of
jewelries, they have never lost their value.
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